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A Time to Love and a Time to Die Overview:

A Time to Love and a Time to Die (1958) was a Drama - Romance Film directed by Douglas Sirk and produced by Robert Arthur.

SYNOPSIS

Sirk's brooding romance set among the ruins of war reflects the troubling experience of his early career in Nazi Germany. Gavin portrays a German soldier on furlough who discovers that his town has been destroyed and that his parents are missing. As he searches for traces of his former life, he falls in love with the daughter of his family's doctor (Pulver). They marry, a hopeful, forlornly romantic gesture as they know he must return to the Russian front and she's unlikely to survive the collapse of their homeland. Based on a novel by Remarque, who has a small cameo role.

(Source: available at Amazon AMC Classic Movie Companion).

A Time to Love and a Time to Die BlogHub Articles:

A Time to Love and A Time to Die

By Michael on Mar 23, 2010 From Le Mot du Cinephiliaque

A Time to Love and A Time to Die (Douglas Sirk, 1958) It was the first time in 1958 that an American film presented the Second World War from the German side. Well, it took an immigrated German director, Douglas Sirk to get the nerves to produce and direct a film only fourteen years after the event... Read full article

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A Time to Love and a Time to Die Quotes:

Ernst Graeber: You're more lovely every time I see you. Only this time, you look like the next time.
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A Time to Love and a Time to Die Facts
According to the Australian DVD sleeve notes, they state that Douglas Sirk's "standing amongst the new auteurist critics in Europe was on the rise, with Jean-Luc Godard writing on Sirk's 1957 film, A Time to Love and a Time to Die, in the influential journal 'Cahiers du Cinema'."
This is not actually Douglas Sirk's only war movie. He also directed the Korean War movie Battle Hymn with 1950s Sirk regular Rock Hudson and the earlier black-and-white World War II films Hitler's Madman and Mystery Submarine.
Reportedly Jean-Luc Godard's favorite out of Douglas Sirk's films.
This Douglas Sirk film is an example of American 1950s Sirkian technicolor melodrama (though it is arguably less soapishy). Other examples include Written on the Wind; Imitation of Life; Magnificent Obsession and All That Heaven Allows.
This movie is novelist Erich Maria Remarque's only ever on-screen performance.
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