A Countess from Hong Kong (1967) |
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| Director(s) | Charlie Chaplin |
| Producer(s) | Charlie Chaplin, Jerome Epstein |
| Top Genres | Comedy, Romance |
| Top Topics | Romance (Comic) |
Featured Cast of A Countess from Hong Kong See More »
Marlon Brando
(as Ogden Mears)
Sophia Loren
(as Natascha)
Sydney Chaplin
(as Harvey)
Tippi Hedren
(as Martha)
Margaret Rutherford
(as Miss Gaulswallow)
Geraldine Chaplin
(as Girl at dance)
Marianne Stone
(as Reporter)
Charlie Chaplin
(as An old steward)
A Countess from Hong Kong Overview:
A Countess from Hong Kong (1967) was a Comedy - Romance Film directed by Charlie Chaplin and produced by Charlie Chaplin and Jerome Epstein.
SYNOPSIS
Leaving Hong Kong after a stopover, an American diplomat discovers a stowaway in his stateroom: the Countess Natascha Alexandra, whose family has fled from Russia. Fearful of losing his job, he tries to keep his new roomie hidden while they try unsuccessfully to keep from falling in love. This was director Chaplin's final film.
(Source: available at Amazon AMC Classic Movie Companion).
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A Countess from Hong Kong Facts
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It was the first film by Charles Chaplin to be not only in widescreen (which he disliked - see A King in New York) but in color as well.
Petula Clark had a major hit with her recording of "This is My Song", an adaptation of a piece of music Charles Chaplin wrote for this film. Chaplin reportedly did not care for Clark's version, though it ultimately turned out to be the only successful aspect of the film, reaching #1 in the British charts. Just months later Harry Secombe took the song to #2 in Britain.
Chaplin wanted Al Jolson to record the theme song "This Is My Song", and only accepted that Jolson died in 1950 when shown a picture of his grave. The song, with Chaplin's old-fashioned lyrics, proved difficult to record, with Petula Clark very reluctant, and Harry Secombe dissolving into giggles when he tried to sing the words.
During filming in 1966 at England's Pinewood Studios, the 77-year-old Charles Chaplin was walking around outside discussing ideas when his foot got caught in a grate and he broke his ankle. It was the first serious injury he ever sustained.
Although some literary sources claim the film was shot in the anamorphic CinemaScope process with the aspect ratio of 2,35:1, the lack of a CinemaScope logo or credit in titles and promotional material such as posters and the total lack of anamorphic compression artifacts in the print indicate that the film was shot in spherical 1,85:1 hard matte format. Widescreen DVDs of the film have also been presented in 1,85:1 aspect ratio.