55 Days at Peking (1963) |
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| Director(s) | Nicholas Ray, Guy Green (uncredited), Andrew Marton (uncredited) |
| Producer(s) | Michal Waszynski, Samuel Bronston |
| Top Genres | Action, Drama, Historical, War |
Featured Cast of 55 Days at Peking See More »
Charlton Heston
(as Maj. Matt Lewis)
Ava Gardner
(as Baroness Natalie Ivano...)
David Niven
(as Sir Arthur Robertson)
Flora Robson
(as Dowager Empress Tzu)
John Ireland
(as Sgt. Harry)
Harry Andrews
(as Father de Bearn)
Leo Genn
(as Gen. Jung)
Robert Helpmann
(as Prince Tuan)
55 Days at Peking Overview:
55 Days at Peking (1963) was a Drama - Historical Film directed by Nicholas Ray, Guy Green (uncredited) and Andrew Marton (uncredited) and produced by Michal Waszynski and Samuel Bronston.
Academy Awards 1963 --- Ceremony Number 36 (source: AMPAS)
| Award | Recipient | Result |
| Best Music - Scoring | Dimitri Tiomkin | Nominated |
| Best Music - Song | Music by Dimitri Tiomkin; Lyrics by Paul Francis Webster | Nominated |
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55 Days at Peking Quotes:
Capt. Andy Marshall:
[Regarding the Boxers massed on the Tartar Wall] No sign of activity, hmm?
Sgt. Harry: No sir, I think they're all asleep.
Capt. Andy Marshall: Ah, but we'd better not be Sergeant.
[Nodding to sleeping soldiers]
Capt. Andy Marshall: You'd better wake them all up.
Sgt. Harry: [to English Soldier] Wake up!
[to German Soldier]
Sgt. Harry: Guten Morgen!
[to French Soldier]
Sgt. Harry: Bonjour! Bonjour!
[to Italian Soldier]
Sgt. Harry: Buongiorno!
[Picks up and looks at hat of Japanese Marine]
Sgt. Harry: ... Good Morning?
Japanese Marine: Good Morning.
Sgt. Harry: No sir, I think they're all asleep.
Capt. Andy Marshall: Ah, but we'd better not be Sergeant.
[Nodding to sleeping soldiers]
Capt. Andy Marshall: You'd better wake them all up.
Sgt. Harry: [to English Soldier] Wake up!
[to German Soldier]
Sgt. Harry: Guten Morgen!
[to French Soldier]
Sgt. Harry: Bonjour! Bonjour!
[to Italian Soldier]
Sgt. Harry: Buongiorno!
[Picks up and looks at hat of Japanese Marine]
Sgt. Harry: ... Good Morning?
Japanese Marine: Good Morning.
Maj. Matt Lewis:
He's a good soldier when he knows what he's fighting for.
Sir Arthur Robertson: It's easy when it's something you can see; a wall, a hill, a river, but how can you explain to them when it's for a principle.
Maj. Matt Lewis: You can't. Not here in China, it's too far from home.
Sir Arthur Robertson: It's easy when it's something you can see; a wall, a hill, a river, but how can you explain to them when it's for a principle.
Maj. Matt Lewis: You can't. Not here in China, it's too far from home.
Dr. Steinfeldt:
[in the hospital, while the baroness refuses medical assistance] Don't you want to live?
Baroness Natalie Ivanoff: I *have* lived!
Baroness Natalie Ivanoff: I *have* lived!
Dowager Empress Tzu-Hsi:
The boxer bandits will be dealt with, but the anger of the Chinese people cannot be quieted so easily. The Germans have seized Kiaochow, the Russians have seized Port Arthur, the French have obtained concessions in Yunnan, Kwan See and Kwantang. In all, 13 of the 18 provinces of China are under foreign control. Foreign warships occupy our harbours, foreign armies occupy our forts, foreign merchants administer our banks, foreign gods disturb the spirit of our ancestors. Is it surprising that our people are aroused?
Sir Arthur Robertson: Your Majesty if you permit me to observe, the violence of the Boxers will not redress the grievances of China.
Dowager Empress Tzu-Hsi: China is a prostrate cow, the powers are not content milking her, but must also butcher her.
Sir Arthur Robertson: If China is a cow, Your Majesty, she is indeed a marvelous animal. She gives meat as well as milk, and yet grows stronger.
Sir Arthur Robertson: Your Majesty if you permit me to observe, the violence of the Boxers will not redress the grievances of China.
Dowager Empress Tzu-Hsi: China is a prostrate cow, the powers are not content milking her, but must also butcher her.
Sir Arthur Robertson: If China is a cow, Your Majesty, she is indeed a marvelous animal. She gives meat as well as milk, and yet grows stronger.
Baroness Natalie Ivanoff:
You know, I think I'll get you to take me to San Francisco with you.
Maj. Matt Lewis: Oh? Why to San Francisco?
Baroness Natalie Ivanoff: Well, isn't that the place where they found all the gold?
Maj. Matt Lewis: [laughs]
See More Quotes from 55 Days at PekingMaj. Matt Lewis: Oh? Why to San Francisco?
Baroness Natalie Ivanoff: Well, isn't that the place where they found all the gold?
Maj. Matt Lewis: [laughs]
55 Days at Peking Facts
See More Facts about 55 Days at Peking >>
The cameraman on the film was originally going to be Aldo Tonti, but when he saw the sets already built at the Bronston studios, he claimed it would be impossible for him to photograph them in the way Nicholas Ray wanted. Jack Hildyard replaced him as director of photography only a short time before shooting began.
During the opening scene where the Legations and their flags are displayed, the camera lingers on the Spanish flag for a few seconds. Given the fact the Spanish legation or diplomats are not mentioned in the movie, some have commented the flag is only shown as the film was filmed in Spain during Franco's regime. While this explanation probably has some truth, there was in fact a Spanish legation and diplomatic staff in Peking during the siege. However, like the Dutch and Belgian Legations, they had no marines and played little role in the siege. This is why "eleven foreign powers" are referenced but only eight nations are named.
The film, which was shot in Spain, needed hundreds of Chinese extras, and the company sent scouts throughout Spain and the rest of Europe to hire as many Asiatic-looking actors as they could find. The casting web in 1962 reached as far as London, Lyon and Marseilles, so the result was that many Chinese restaurants in those cities closed for the summer 1962 during filming because the restaurant staff - often including the restaurant's owners - was hired away by the film company. The company hired so many that for several months there was scarcely a Chinese restaurant to be found open in Spain and those 3 other cities.
Due to mainland China's hostility and isolation from the Western world, a full-scale 60-acre replication of Peking 1900 (sewers and all) was built in the plains outside Madrid, and Chinese/Asian extras were flown in from all over Europe to provide the local Peking (the old name of Beijing) citizenry. A number of costumes for the Royal Chinese Court (the Empress, Prince Tuan's, etc.) were authentic ones from Tzu Hsi's actual court. They were loaned by an illustrious Florentine family (which wished to stay anonymous) but was able to rescue them from the collapse of the dynasty right after the Boxer rebellion.
It is still possible to walk around the area of Beijing which was the actual location of the Siege of the Peking Legations in 1900, and to recognize sites and street layout depicted with admirable accuracy by the sets constructed in Spain for '55 Days At Peking'. The former legation quarter is east of Tiananmen Square, bounded in the north by Changan Avenue and south by Qianmen Street. One such important site is the gate of the former British Legation in Zhengyi Road, looking remarkably as it did in photos taken in 1900. Much of the area has been occupied for many years by Chinese Government agencies. Most of the heritage buildings remaining of the old legation quarter are reconstructions after the Boxer uprising. The area's tourist potential has been little exploited. The post-Boxer former French Legation post office is the foyer of the Dongjiaominxiang Hotel. The site of the former US Legation has been renovated for up-market restaurants, bars and event venues.