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42nd Street Overview:

42nd Street (1933) was a Comedy - Musical Film directed by Lloyd Bacon and produced by Darryl F. Zanuck.

42nd Street was inducted into the National Film Registry in 1998.

Academy Awards 1932/33 --- Ceremony Number 6 (source: AMPAS)

AwardRecipientResult
Best PictureWarner Bros.Nominated

42nd Street BlogHub Articles:

Those dancing feet… ’42nd Street’ (Lloyd Bacon, 1933)

” Jones and Barry are doing a show! “ ” You’re telling me? “ When I first saw 42nd Street (Lloyd Bacon, 1933), its appeal didn’t quite strike me, and, aside from the final musical number, it left me indifferent. I remember renting the film at Montreal’s Nat... Read full article


Silver Screen Standards: Ruby Keeler in 42nd Street (1933)

Silver Screen Standards: Ruby Keeler in 42nd Street (1933) Every time I watch 42nd Street (1933) I fall in love with Ruby Keeler all over again. Just like Peggy Sawyer, the character she plays in the movie, Keeler was a bright newcomer getting her big break; although she had been dancing on stage... Read full article


Silver Screen Standards: Ruby Keeler in 42nd Street (1933)

Silver Screen Standards: Ruby Keeler in 42nd Street (1933) Every time I watch 42nd Street (1933) I fall in love with Ruby Keeler all over again. Just like Peggy Sawyer, the character she plays in the movie, Keeler was a bright newcomer getting her big break; although she had been dancing on stage... Read full article


THE UMPTEENTH BLOGATION: 42nd Street, 1933

Theresa, the CineMaven herself is hosting The Umpteenth Blogathon on January 18th. A tribute to those movies which have an addictive hold on our moving pictures loving souls. Every fan has many such films and HERE we get to gush about one of them. My selection is the energetic, music-filled, cynical... Read full article


42nd Street (1933)

“Sawyer, you’re going out a youngster but you’ve got to come back a star!” – Warner Baxter to Ruby Keeler 42nd Street essentially feels like hallowed ground even today because it single-handedly gave an entire generation of films plentiful ammunition for tropes while ju... Read full article


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42nd Street Quotes:

Ann Lowell: [to chorus girl] It must have been hard on your mother, not having any children.

Billy Lawler: [to Peggy Sawyer] Hey, I've been for you ever since you walked in on me in my BVD's.

Dorothy Brock: Now go out there and be so swell that you'll make me hate you!

Julian Marsh: Sawyer, you listen to me, and you listen hard. Two hundred people, two hundred jobs, two hundred thousand dollars, five weeks of grind and blood and sweat depend upon you. It's the lives of all these people who've worked with you. You've got to go on, and you've got to give and give and give. They've got to like you. Got to. Do you understand? You can't fall down. You can't because your future's in it, my future and everything all of us have is staked on you. All right, now I'm through, but you keep your feet on the ground and your head on those shoulders of yours and go out, and Sawyer, you're going out a youngster but you've got to come back a star!

Slim Murphy: Hey got a match?
Pat Denning: Yep... why I guess so... yeah.
Slim Murphy: Don't happen to know a guy named Pat Denning do ya?
Pat Denning: Why yes.
Slim Murphy: We got a message for him. This guy Pat Denning's a pretty wise mug but he ain't wise enough and if he don't lay off that Dorothy Brock dame, it's gonna be just too bad... for Denning, get me?
Pat Denning: Alright I'll tell him.
Slim Murphy: Yeah well...
[punches Pat in the mouth and Pat falls down]
Slim Murphy: that's so ya don't forget.
Mug with Murphy: Yeah
[He and Slim kick Pat then run off]
Peggy Sawyer: Ohhhhh Pat... Pat... Pat... who were they?
Pat Denning: Friends... with good advice.
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42nd Street Facts

In the 42nd Street finale, dancers on stage pass a store named Reticker's. It was named after Warner Bros. art director Hugh Reticker, who labored at WB for two decades, but did not get screen recognition until two years after this film was made. It's likely he had a hand in designing this set also.

Ginger Rogers took the role of Anytime Annie at the urging of director Mervyn LeRoy, whom she was dating at the time.

One of the lines in the song "Shuffle off to Buffalo" is "when she knows as much as we know/she'll be on her way to Reno/while he still has dough." Contemporary audiences would have recognized this as a reference to the fairly common practice of moving to Reno, Nevada, for a short-term stay to obtain a divorce. At the time of the movie's release (and for at least twenty-five years afterward), Nevada had some of the most lenient divorce laws in the country, especially compared to New York, where the there were few accepted grounds for divorce, and the standards of proof for those grounds were so high as to be almost impossible (for instance, evidence of adultery had to be in the form of eyewitness testimony or photographic records of the act); and even then, divorces took a year to be final. By contrast, Nevada granted a divorce for almost any reason after only a six-week-residency period.

When it premiered in New York City at the Strand Theatre in March 1933, Variety reported that some of the musical numbers were projected on the enlarged grandeur wide screen.

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