Home> Facts and Trivia > Stars > John Wayne
John Wayne Facts
| Sign | Gemini |
| Born |
May 26, 1907 Winterset, IA |
| Died |
Jun 11, 1979 Los Angeles, CA |
| Age | Died at 72 |
| Total Facts | 202 |
On Saturday, June 9th, 1979, the Archbishop of Panama arrived at the hospital and baptized Wayne into the Roman Catholic Church. Wayne was given a Catholic funeral service, but his grave went unmarked until 1999 when he finally received a headstone.
On Wednesday, January 25th, 1950, he became the 125th star to put his hand and footprints outside of Grauman's Chinese Theatre.
One of the most unusual Oscar moments happened when major liberal Barbra Streisand presented Vietnam war hawk Wayne with his Best Actor Oscar at The 42nd Annual Academy Awards (1970) (TV).
Pictured on a 37¢ USA commemorative stamp in the Legends of Hollywood series, issued on Thursday, September 9th, 2004. The first-day ceremonies were held at Grauman's Chinese Theatre in Hollywood.
Pictured on one of four 25¢ US commemorative postage stamps issued on Friday, March 23rd, 1990 honoring classic films released in 1939. The stamp featured Wayne as The Ringo Kid in Stagecoach (1939). The other films honored were Beau Geste (1939), The Wizard of Oz (1939), and Gone with the Wind (1939).
Posthumously awarded the Presidential Medal of Freedom, the nation's highest civilian award, by President Jimmy Carter in 1980.
Prior to making The Big Trail (1930), director Raoul Walsh told Wayne to take acting lessons. Wayne duly took three lessons, but gave up when the teacher told him he had no talent.
Produced and starred in a 1940s radio show about an alcoholic detective titled "Three Sheets to the Wind".
Producer-director Robert Rossen offered the role of Willie Stark in All the King's Men (1949) to Wayne. Rossen sent a copy of the script to Wayne's agent, Charles K. Feldman, who forwarded it to Wayne. After reading the script, Wayne sent it back with an angry letter attached. In it, he told Feldman that before he sent the script to any of his other clients, he should ask them if they wanted to star in a film that "smears the machinery of government for no purpose of humor or enlightenment", that "degrades all relationships", and that is populated by "drunken mothers; conniving fathers; double-crossing sweethearts; bad, bad, rich people; and bad, bad poor people if they want to get ahead." He accused Rossen of wanting to make a movie that threw acid on "the American way of life." If Feldman had such clients, Wayne wrote that the agent should "rush this script . . . to them." Wayne, however, said to the agent that "you can take this script and shove it up Robert Rossen's derrière." Wayne later remarked that "to make Huey Long a wonderful, rough pirate was great, but, according to this picture, everybody was shit
Ranked #11 in the 100 Most Influential People in the History of the Movies, according to the authors of the Film 100 Web site.
Ranked #16 in Empire (UK) magazine's "The Top 100 Movie Stars of All Time" list. (October 1997)
Ranked in the top four box office stars, as ranked by Quigley Publications' annual poll of the Top Ten Money Making Stars, an astounding 19 times from 1949 to 1972. (Only Clint Eastwood, with 21 appearances in the Top 10 to the Duke's 25, has been in the Top 10, let alone the top four, more times.) He made the top three a dozen times, the top two nine times, and was the #1 box office champ four times (1950, '51, '54 and 1971).
Re-mortgaged his house in Hollywood in order to finance The Alamo (1960). While the movie was a success internationally, it lost him a great deal of money personally. For the next four years he had to made one film after another, including The Longest Day (1962) for which he was paid $250,000 for four days work. By early 1962 his financial problems were resolved.
Received the DeMolay Legion of Honor in 1970.
Recorded an advertisement for Camel cigarettes on the set of Big Jim McLain (1952).
Regretted playing Temujin in The Conqueror (1956) so much that he visibly shuddered whenever anyone mentioned the film's name. He once remarked that the moral of the film was "not to make an ass of yourself trying to play parts you're not suited for."
Returned to Harvard in January 1974, at the height of his political activism, for a celebrity roast of himself. During the ceremony, the head said, "We're not here to make fun or you, we're here to hurt your feelings." Later, Wayne said jokingly, "You know, I accepted this invitation over a wonderful invitation to a Jane Fonda rally."
Separated from his wife Pilar Wayne in 1973, though they never divorced. When Louis Johnson, his business partner, sold all of their holdings in Arizona, The 26 Bar Ranch and the Red River Land and Cattle Company, Wayne's children got one half of it, $24,000,000. Pilar had already been taken care of at their separation.
Some of his films during the mid-1950s were less successful, forcing Wayne to work with pop singers in order to attract young audiences. He acted alongside Ricky Nelson in Rio Bravo (1959), Frankie Avalon in The Alamo (1960) and Fabian in North to Alaska (1960).
Sons with Josephine: Michael Wayne (producer) and Patrick Wayne (actor); daughters Toni Wayne and Melinda Wayne.
Spoilers: Of the near 200 films Wayne made, he died in only eight: Reap the Wild Wind (1942) (octopus attack), The Fighting Seabees (1944) (gunshot/explosion), Wake of the Red Witch (1948) (drowning), Sands of Iwo Jima (1949) (gunshot wounds), The Alamo (1960) (lance/explosion), The Man Who Shot Liberty Valance (1962) (natural causes), The Cowboys (1972) (gunshot wounds) and The Shootist (1976) (shotgun wounds). His fate in The Sea Chase (1955) is undetermined - he may have died when his ship sank, or he (and Lana Turner) may have made it to shore.
Suffered a stroke in 1974, which is why he can be seen talking out the side of his mouth in Brannigan (1975) and Rooster Cogburn (1975).
The evening before a shoot he was trying to get some sleep in a Las Vegas hotel. The suite directly below his was that of Frank Sinatra (never a good friend of Wayne), who was having a party. The noise kept Wayne awake, and each time he made a complaining phone call it quieted temporarily but each time eventually grew louder. Wayne at last appeared at Sinatra's door and told Frank to stop the noise. A Sinatra bodyguard of Wayne's size approached saying, "Nobody talks to Mr. Sinatra that way." Wayne looked at the man, turned as though to leave, then backhanded the bodyguard, who fell to the floor, where Wayne knocked him out by crashing a chair on top of him. The party noise stopped.
The fact that all three of his wives were Latin American surprised Hollywood; this was the only "non-American" aspect in his life. "I have never been conscious of going for any particular type," Wayne said in response to a challenge from the press, "it's just a happenstance."
The Governor of California, Arnold Schwarzenegger, issued a proclamation making 26 May 2007 "John Wayne Day" in California.
The inscription on the Congressional Gold Medal awarded to him in 1979 reads, simply, "John Wayne, American."
Underwent surgery for an enlarged prostate in December 1976.
Upon being cast by Raoul Walsh in Fox's The Big Trail (1930) the studio decided his name had to be changed. Walsh said he was reading a biography on General "Mad" Anthony Wayne and suggested that name. The studio liked the last name but not the first and decided on "John Wayne" as the final rendition.
Visited Stepin Fetchit in hospital in 1976 after the actor had suffered a stroke which ended his career.
Voice actor Peter Cullen based the voice of his most famous character, heroic Autobot leader Optimus Prime from Transformers (2007), on the voice of John Wayne.
Was a heavy smoker. After he died of lung cancer, his son made a point not to license footage of him smoking cigarettes. An exception was made for a scene in Thank You For Smoking, a satire of the tobacco industry.
Was a member of the far-right-wing John Birch Society.
Was a member of the first class to be inducted into the DeMolay Hall of Fame on Monday, November 13th, 1986.
Was named the #1 box office star in North America by Quigley Publications, which has published its annual Top 10 Poll of Money-Making Stars since 1932. In all, the Duke was named to Quigley Publications' annual Top 10 Poll a record 25 times. (Clint Eastwood, with 25 appearances in the Top 10, is #2, and Wayne's contemporary Gary Cooper, with 18 appearances, is tied for #3 with Tom Cruise.) Wayne had the longest ride on the list, first appearing on it in 1949 and making it every year but one (1958) through 1974. In four of those years he was No. 1.
Was named the #13 greatest actor on The 50 Greatest Screen Legends list by the American Film Institute
Was very close friends with Maureen O'Hara and often visited her house. She had a wing for him that she often referred to as 'The John Wayne Wing'.
Wayne appeared in a very uncomplimentary light in the Public Enemy song "Fight the Power," from the 1990 album "Fear of a Black Planet". Wayne has frequently come under fire for racist remarks he made about black people and Native American Indians in his infamous Playboy magazine interview from May 1971. He was also criticized for supporting Senator Barry Goldwater in the 1964 presidential election, after Goldwater had voted against the Civil Rights Act, and for supporting segregationist former Alabama governor George Wallace during his presidential campaign in 1968.
Wayne denounced the subject of homosexuality in Tennessee Williams' Suddenly, Last Summer (1959) as "too disgusting even for discussion"--even though he had not seen it and had no intention of seeing it. "It is too distasteful," he claimed, "to be put on a screen designed to entertain a family, or any member of a decent family." He considered the youth-oriented, anti-establishment film Easy Rider (1969) and Midnight Cowboy (1969), which to his dismay won the Best Picture Oscar in 1970, as "perverted" films. Especially when early in "Midnight Cowboy" Jon Voight dons his newly acquired Western duds and, posing in front of a mirror, utters the only words likely to come to mind at the moment one becomes a cowboy: "John Wayne!" Wayne told Playboy magazine, "Wouldn't you say that the wonderful love of these two men in 'Midnight Cowboy', a story about two fags, qualifies as a perverse movie?".
Wayne did not serve during World War II. The knee injuries he received in College kept him from running the distances required by Military Standards.
Wayne nearly got into a fight with British film critic Barry Norman on two occasions, both times over politics. In November 1963, on the set of Circus World (1964), the two had a serious argument over Barry Goldwater's presidential campaign. Nearly six years later, while Wayne was promoting True Grit (1969), the two nearly came to blows on a train over the Vietnam War. Despite this, Norman wrote favorably of Wayne as an actor in his book "The Hollywood Greats" (1986).
Wayne publicly criticized director Sam Peckinpah for his film The Wild Bunch (1969), which he claimed "destroyed the myth of the Old West".
Wayne tried not to make films that exploited sex or violence, deploring the vulgarity and violence in Rosemary's Baby (1968), which he saw and did not like, and A Clockwork Orange (1971) or Last Tango in Paris (1972) which he had no desire to see. He thought Deep Throat (1972) was repulsive - "after all, it's pretty hard to take your daughter to see it." And he refused to believe that Love Story (1970) "sold because the girl went around saying 'shit' all the way through it." Rather, "the American public wanted to see a little romantic story." He took a strong stance against nudity: "No one in any of my pictures will ever be served drinks by a girl with no top to her dress." It was not sex per se he was against. "Don't get me wrong. As far as a man and a woman are concerned, I'm awfully happy there's a thing called sex," he said, "It's an extra something God gave us, but no picture should feature the word in an unclear manner." He therefore saw "no reason why it shouldn't be in pictures," but it h
Wayne was asked to be the running mate for Democratic Alabama Governor George Wallace in 1968, but Wayne vehemently rejected the offer and actively campaigned for Richard Nixon. He addressed the Republican National Convention on its opening day in August 1968.
Wayne was buried in secret and the grave went unmarked until 1999, in case Vietnam War protesters desecrated the site. Twenty years after his death he finally received a headstone made of bronze which was engraved with a quotation from his infamous Playboy interview.
Wayne was initiated into DeMolay in 1924 at the Glendale Chapter in Glendale California.
Wayne's westerns were full of action but usually not excessively violent. "Fights with too much violence are dull," claimed Wayne, insisting that the straight-shooting, two-fisted violence in his movies have been "sort of tongue-in-cheek." He described the violence in his films as "lusty and a little humorous," based on his belief that "humor nullifies violence." His conservative taste deplored the increasing latitude given to violence and sex in Hollywood. In the 1960s he launched a campaign against what he termed "Hollywood's bloodstream polluted with perversion and immoral and amoral nuances." Most of his westerns steered clear of graphic violence.
When he was honored with a square at the Grauman's Chinese Theater in Hollywood the sand used in the cement was brought in from Iwo Jima, in honor of his film Sands of Iwo Jima (1949).
While filming True Grit (1969), Wayne was trying to keep his weight off with drugs - uppers for the day, downers to sleep at night. Occasionally, he got the pills mixed up, and this led to problems on a "The Dean Martin Comedy Hour" (1965) taping in 1969. Instead of taking an upper before leaving for the filming, he took a downer - and was ready to crash by the time he arrived on the set. "I can't do our skit," Wayne reportedly told Martin when it was time to perform. "I'm too doped up. Goddamn, I look half smashed!" Naturally, Martin didn't have a problem with that. "Hell, Duke, people think I do the show that way all the time!" The taping went on as scheduled.
While making The Barbarian and the Geisha (1958), he apparently became so enraged with director John Huston (who was something of a tough guy himself and was nearly as tall as Wayne but not as massive) that he throttled and punched him out. It is unknown what Huston did to earn the beating, but the director was known to have a mean streak. Wayne later re-enacted the incident for Peter Bogdanovich, who was somewhat terrified to be used as a substitute for Huston.
While visiting the troops in Vietnam in June 1966, a bullet struck Wayne's bicycle. Although he was not within a hundred yards of it at the time, the newspapers reported he had narrowly escaped death at the hands of a sniper.