Blog Hub > Mark Robson >
Blog Hub
Welcome to BlogHub : A Collection of some of the Best Classic Movie Blogs
The Bridges at Toko-Ri (1954, Mark Robson)
The Stop Button
Posted by Andrew Wickliffe on November 10, 2019
With the exception of Grace Kelly (the only significant female character in the film), none of Bridges at Toko-Ri’s main characters are ever explicitly scrutable. Even when the admiral, Fredric March, muses about the nature of war and the men who wage it, the film’s already established March’s thou
read more
The Bridges at Toko-Ri (1954, Mark Robson)
The Stop Button
Posted by Andrew Wickliffe on November 10, 2019
With the exception of Grace Kelly (the only significant female character in the film), none of Bridges at Toko-Ri’s main characters are ever explicitly scrutable. Even when the admiral, Fredric March, muses about the nature of war and the men who wage it, the film’s already established March’s thou
read more
The Bridges at Toko-Ri (1954, Mark Robson)
The Stop Button
Posted by on November 10, 2019
With the exception of Grace Kelly (the only significant female character in the film), none of Bridges at Toko-Ri’s main characters are ever explicitly scrutable. Even when the admiral, Fredric March, muses about the nature of war and the men who wage it, the film’s already established March’s thou
read more
The Bridges at Toko-Ri (1954, Mark Robson)
The Stop Button
Posted by on November 10, 2019
With the exception of Grace Kelly (the only significant female character in the film), none of Bridges at Toko-Ri’s main characters are ever explicitly scrutable. Even when the admiral, Fredric March, muses about the nature of war and the men who wage it, the film’s already established March’s thou
read more
Peyton Place (1957, Mark Robson)
The Stop Button
Posted by Andrew Wickliffe on January 28, 2017
Peyton Place takes over a year and a half starting in 1941. Director Robson has a really slick way of getting the date into the ground situation. Robson and cinematographer William C. Mellor go a little wild with Peyton Place–there’s a lot of location shooting and Robson tries hard to...
read more
Champion (1949, Mark Robson)
The Stop Button
Posted by Andrew Wickliffe on December 9, 2016
Champion is a boxing picture. It ends with a big fight, as boxing pictures are wont to do. However, as the fight starts and the film cuts between all the people Kirk Douglas’s Champion has wrong, the film isn’t asking the viewer to root for the protagonist. Douglas is a...
read more
The Bridges at Toko-Ri (Mark Robson, 1954)
Movie Classics
Posted by Judy on November 11, 2015
This is my contribution to The Wonderful Grace Kelly Blogathon, hosted by The Wonderful World of Cinema blog. Please visit and take a look at the other postings. William Holden and Grace KellyAfter watching this powerful and haunting Korean war film, I belatedly realised it wasn’t really a goo
read more
Bedlam (1946, Mark Robson)
The Stop Button
Posted by on November 29, 2013
Bedlam is about a third of a good picture. It’s like writers Val Lewton and (director too) Robson didn’t quite know how to make it work, what with having to have Boris Karloff in it. Karloff’s the villain, the head of a mental institute in the eighteenth century. Karloff’s s
read more
The Seventh Victim (1943, Mark Robson)
The Stop Button
Posted by on May 17, 2013
Quite surprisingly, The Seventh Victim–in addition to being a disquieting, subtle thriller–is mostly about urban apathy and discontent. Though there aren’t any establishing shots of New York City (or of the small New England town protagonist Kim Hunter comes from), Robson and writ
read more
Isle of the Dead (1945, Mark Robson)
The Stop Button
Posted by on January 3, 2013
The Greek anti-defamation league, if it existed, mustn’t have had much power when Isle of the Dead came out. It’s a quarantine drama, a genre I’m unfamiliar with but certainly has a lot of potential, set on a small Greek island. There’s nothing on the island besides an amate
read more
The Ghost Ship (1943, Mark Robson)
The Stop Button
Posted by on November 9, 2012
Although the title suggests otherwise, The Ghost Ship is not a supernatural thriller. It is, however, a very effective suspense picture. Russell Wade (in a sturdy lead performance) is a new officer. On his first ship out, he begins to suspect the captain–Richard Dix, who steadily gets creepie
read more
Youth Runs Wild (1944, Mark Robson)
The Stop Button
Posted by on September 2, 2008
It’s hard to know how Youth Runs Wild was supposed to turn out. RKO took it away from producer Val Lewton–the State Department was concerned the film would be detrimental to morale–but they were over his shoulder the entire time. The question is whether Youth Runs Wild was ever an
read more