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AND THE OSCAR DOESN’T GO TO… Ernst Lubitsch
The Old Hollywood Garden
Posted by Carol Martinheira on January 9, 2023
AND THE OSCAR DOESN’T GO TO… Ernst Lubitsch On January 9, 2023 By CarolIn Uncategorized Well, here it is, it’s 2023 and I’m already tired. Happy New Year, everyone! I had a good 2002, movie-wise and otherwise-wise. I started my Cinema Museum
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To Be or Not to Be (1942), a Daring Mixed-Genre Satire from Ernst Lubitsch
Lady Eve's Reel Life
Posted by The Lady Eve on October 20, 2021
This Hollywood-savvy item appeared in the December 1932 issue of Vanity Fair, “…although a German director [he] is now claimed by America. His gay and cynic touch, his dramatic use of detail, have reconditioned many an otherwise anemic script and saved it from the shelf – until a
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Carole Lombard and Jack Benny in Ernst Lubitsch’s “To Be or Not to Be”
Classic Movie Man
Posted by Stephen Reginald on August 13, 2020
Carole Lombard and Jack Benny in Ernst Lubitsch’s “To Be or Not to Be” To Be or Not to Be (1942) is a comedy directed by Ernst Lubitsch and starring Carole Lombard and Jack Benny The film is set in Warsaw, Poland, before the 1939 Nazi invasion. Josef Tura (Jack...
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The Love Parade (1929): Ernst Lubitsch’s First Talkie
4 Star Films
Posted by 4 Star Film Fan on May 14, 2020
Looking over it now, The Love Parade just might be one of the finest pre-1930s musicals, capitalizing on the rising trend thanks to the success of The Jazz Singer and Broadway Melody. Whereas many of its contemporaries are mainly interesting as historical relics, this Lubitsch comedy still has some
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Quote: Ernst Lubitsch on Filming
Classic Movies
Posted by KC on March 3, 2019
Image Source There are a thousand ways to point a camera, but really only one. -Ernst Lubitsch Quote Source
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Quote: Douglas Fairbanks Jr. on Ernst Lubitsch
Classic Movies
Posted by KC on January 27, 2019
He never forgot that dialogue should complement, not replace, what is essentially a visual medium. -Douglas Fairbanks Jr., about Ernst Lubitsch Quote Source
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Rare Ernst Lubitsch Film Screens at New York Jewish Film Fest
Cinematically Insane
Posted by Will McKinley on January 20, 2015
“What would Lubitsch do?” a sign in Billy Wilder’s office famously read. It was both a testament to Wilder’s respect for the German-born director (for whom he co-wrote two films) and a tribute to Ernst Lubitsch’s ability to balance light comedy with resonant humanity. If you love classic film, you...
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The Shop Around the Corner (1940, Ernst Lubitsch)
The Stop Button
Posted by Andrew Wickliffe on December 28, 2014
The Shop Around the Corner has a lot going on in a limited space. It’s not particularly long–under 100 minutes–and it mostly takes place in (or outside) the titular shop. And, while the present action is about six and a half months (there’s a big jump), the back story define
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Birthday of the Week: Ernst Lubitsch (1)
Mildred's Fatburgers
Posted by Beth Daniels on January 29, 2014
Ernst Lubitsch, January 28, 1892 Biography Ernst Lubitsch: Laughter in ParadiseBy Scott Eyman, Simon & Schuster, 1993 Master of Innuendo I'm not going to write a particularly detailed tribute to Ernst Lubitsch on this, the day after his birthday, because so many
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Angel (Ernst Lubitsch, 1937)
Movie Classics
Posted by Judy on November 5, 2012
This bitter-sweet romantic comedy flopped at the box office on release, and is still largely overlooked. It led to Marlene Dietrich being labelled ‘box-office poison’ and dropped by Paramount, before going on to reinvent herself in Destry Rides Again. It also contributed to director Ern
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Ernst Lubitsch does Noel Coward: Design for Living (1933)
Lady Eve's Reel Life
Posted by The Lady Eve on March 22, 2012
Gary Cooper, Miriam Hopkins and Fredric March Fredric March was already an Oscar winner and a newly minted Hollywood star when he co-starred with Miriam Hopkins and Gary Cooper in Ernst Lubitsch’s 1933 adaptation of the Noel Coward play Design for Living. In 1929, when all the major studios w
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Ernst Lubitsch does Noel Coward: Design for Living (1933)
Lady Eve's Reel Life
Posted by The Lady Eve on March 22, 2012
Gary Cooper, Miriam Hopkins and Fredric March Fredric March was already an Oscar winner and a newly minted Hollywood star when he co-starred with Miriam Hopkins and Gary Cooper in Ernst Lubitsch’s 1933 adaptation of the Noel Coward play Design for Living. In 1929, when all the major studios w
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Ernst Lubitsch does Noel Coward: Design for Living (1933)
Lady Eve's Reel Life
Posted by The Lady Eve on March 22, 2012
Gary Cooper, Miriam Hopkins and Fredric March Fredric March was already an Oscar winner and a newly minted Hollywood star when he co-starred with Miriam Hopkins and Gary Cooper in Ernst Lubitsch’s 1933 adaptation of the Noel Coward play Design for Living. In 1929, when all the major studios w
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To Be or Not to Be - Carole Lombard's final film, directed by Ernst Lubitsch
Lady Eve's Reel Life
Posted by The Lady Eve on October 8, 2011
'The Lubitsch Touch' has been dissected and analyzed for decades. Billy Wilder, who had been protégé to director Ernst Lubitsch early on, put it succinctly: "The Lubitsch Touch is a light touch. But there are serious overtones in Lubitsch. He understood life..." In 1941, Lubitsch signed a three y
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To Be or Not to Be - Carole Lombard's final film, directed by Ernst Lubitsch
Lady Eve's Reel Life
Posted by The Lady Eve on October 8, 2011
'The Lubitsch Touch' has been dissected and analyzed for decades. Billy Wilder, who had been protégé to director Ernst Lubitsch early on, put it succinctly: "The Lubitsch Touch is a light touch. But there are serious overtones in Lubitsch. He understood life..." In 1941, Lubitsch signed a three y
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To Be or Not to Be - Carole Lombard's final film, directed by Ernst Lubitsch
Lady Eve's Reel Life
Posted by The Lady Eve on October 8, 2011
For Carole & Company's "Carole-tennial (+3)," marking the 103rd anniversary of Hollywood legend Carole Lombard's birth, I'm taking a look at my favorite Carole Lombard film, director Ernst Lubitsch's To Be or Not to Be (1942). This was Lombard's last film, released just a month after her death.
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Broken Lullaby (Ernst Lubitsch, 1932)
Movie Classics
Posted by Judy on September 25, 2011
I’ve been watching a lot of Lubitsch’s famous pre-Code musical comedies recently, so thought it would be interesting also to see this little-known serious anti-war drama which he made at the same period, starring Lionel Barrymore. Broken Lullaby – also known as The Man I Killed, af
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Ernst Lubitsch "Gypsy Blood" (1918)
Noir and Chick Flicks
Posted by Silentfilmfanatic on August 2, 2010
“Gypsy Blood” (1918) is a silent drama starring Pola Negri, Harry Liedtke, and Leopald von Ledebur. Directed by Ernst Lubitsch, this film was the first of his German productions to reach the United States. Adapted from Prosper Merimee’s 1845 novella “Carmen,” Lubitsch&
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Ernst Lubitsch, "To Be or Not To Be," and Lombard's last impression
Classic Movie Man
Posted by Stephen Reginald on March 25, 2010
Ernst Lubitsch, "To Be or Not To Be," and Lombard's last impression Coming to America Director Ernst Lubitsch left his native Germany in 1922 at the invitation of silent-screen legend Mary Pickford. He directed Pickford in two popular films, Rosita (1923) and The Marriage Circle (1924). Right f
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Trouble in Paradise (1932, Ernst Lubitsch)
The Stop Button
Posted by on November 11, 2008
Trouble in Paradise features some great filmmaking. Here, Lubitsch runs wild with the passage of time–there’s a great sequence with various clocks marking the minutes, but there’s a lot of carefully orchestrated fades as well. The film opens with an excellent mixed shot–agai
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