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Mighty Joe Young (1949, Ernest B. Schoedsack)
The Stop Button
Posted by on April 13, 2020
From the first scene, Mighty Joe Young is concerning. There’s a nice establishing shot of an Africa plantation, with some great matte work, then little White girl on the plantation Lora Lee Michel sees a couple African men passing with a basket. She wants what’s in the basket, so there’s...
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Blind Adventure (1933, Ernest B. Schoedsack)
The Stop Button
Posted by on June 25, 2012
Blind Adventure is a genial, nearly successful comedy thriller. Robert Armstrong, playing an unexpectedly wealthy working class American who’s vacationing in London, heads out into the fog and finds himself on a wild night. He encounters espionage, British society, a damsel in distress (Helen Mack)
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The Son of Kong (1933, Ernest B. Schoedsack)
The Stop Button
Posted by on September 17, 2008
King Kong opened in April 1933, The Son of Kong opened for Christmas 1933. The rush shows. The special effects really suffer–for whatever reason, when Robert Armstrong and Helen Mack are added to the little Kong’s shots, it’s fine, but when little Kong is added to Armstrong and Ma
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King Kong (1933, Merian C. Cooper and Ernest B. Schoedsack)
The Stop Button
Posted by on September 5, 2008
King Kong is a perfect film. I don’t think I’d realized before. It’s always hard to talk about films like Kong, influential standards of American cinema. I want to talk about how its structure still sets the tone for modern films–the gradual lead-in (it’s forty-some mi
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