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Silver Screen Standards: The Ladykillers (1955)
Classic Movie Hub Blog
Posted by Jennifer Garlen on July 11, 2024
The Ladykillers (1955) Like most Gen Xers, I grew up associating Sir Alec Guinness with his role as Obi Wan-Kenobi in the original Star Wars trilogy. Only as an adult did I discover his earlier work and his tremendous talent for comedy as showcased by his series of films in...
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THE LADY VANISHES (1979)
The Hitless Wonder Movie Blog
Posted by Dan Day, Jr. on February 26, 2023
THE LADY VANISHES is a 1979 remake of Alfred Hitchcock's much more famous (and better) 1938 film with the same title. The '79 THE LADY VANISHES is now best known as being the last theatrically-released feature that Hammer Films was involved in during the 20th Century. The head of Hammer,...
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Watching 1939: The Lady and the Mob (1939)
Comet Over Hollywood
Posted by on February 16, 2023
In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each...
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Silver Screen Standards: The Lady from Shanghai (1947)
Classic Movie Hub Blog
Posted by Jennifer Garlen on June 14, 2022
Silver Screen Standards: The Lady from Shanghai (1947) Despite the icy cold shade of Rita Hayworth’s hair, The Lady from Shanghai (1947) plays like a fever dream, confusing and sweat-soaked, long before it reaches its famous funhouse climax. It’s a favorite among classic noir fans even though it
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Orson Welles pursues Rita Hayworth in “The Lady from Shanghai”
Classic Movie Man
Posted by Stephen Reginald on June 17, 2021
Orson Welles pursues Rita Hayworth in “The Lady from Shanghai” The Lady from Shanghai (1947) is a film noir directed by Orson Welles and starring Rita Hayworth, Orson Welles, and Everett Sloane. Initially snubbed by the critics upon its initial release, the film has garnered a reput
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THE LADY AND THE MONSTER
The Hitless Wonder Movie Blog
Posted by Dan Day, Jr. on January 17, 2021
This is the very first film adaptation of Curt Siodmak's science-fiction novel DONOVAN'S BRAIN. The movie was made by Republic Pictures and released in 1944. Siodmak was not involved in the production, which was directed by Western veteran George Sherman. In a spooky castle-like building (which is
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Margaret Lockwood and Michael Redgrave in Hitchcock's The Lady Vanishes
Classic Movie Man
Posted by Stephen Reginald on October 10, 2020
Margaret Lockwood and Michael Redgrave in Hitchcock's The Lady Vanishes The Lady Vanishes (1938) is a British thriller directed by Alfred Hitchcock and starring Margaret Lockwood and Michael Redgrave. The success of this film caught the attention of producer David O. Selznick. Selznick signed H
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The lady picked 'By Choice'
Carole & Co.
Posted by carole_and_co on April 3, 2020
"Lady By Choice" would be the last of five films Carole Lombard made at Columbia, and the only one made after her pivotal success there with "Twentieth Century." The title implies a relation to an earlier Columbia hit, "Lady For A Day," although such ties are in name only (pardon...
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The Lady from Shanghai (1947, Orson Welles)
The Stop Button
Posted by Andrew Wickliffe on September 2, 2019
It’s immaterial to the film overall but I want to talk about how Welles compensates for projection composites looking like projection composites. He changes up his focus, sometimes focusing on the person in the foreground, sometimes not. Is it intentional? Is he really trying to compensate? Well, t
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The Lady from Shanghai (1947, Orson Welles)
The Stop Button
Posted by Andrew Wickliffe on September 2, 2019
It’s immaterial to the film overall but I want to talk about how Welles compensates for projection composites looking like projection composites. He changes up his focus, sometimes focusing on the person in the foreground, sometimes not. Is it intentional? Is he really trying to compensate? Well, t
read more
The Lady from Shanghai (1947, Orson Welles)
The Stop Button
Posted by on September 2, 2019
It’s immaterial to the film overall but I want to talk about how Welles compensates for projection composites looking like projection composites. He changes up his focus, sometimes focusing on the person in the foreground, sometimes not. Is it intentional? Is he really trying to compensate? Well, t
read more
The Lady from Shanghai (1947, Orson Welles)
The Stop Button
Posted by on September 2, 2019
It’s immaterial to the film overall but I want to talk about how Welles compensates for projection composites looking like projection composites. He changes up his focus, sometimes focusing on the person in the foreground, sometimes not. Is it intentional? Is he really trying to compensate? Well, t
read more
Review: The Lady from Shanghai (1947): Funhouse Film Noir
4 Star Films
Posted by 4 Star Film Fan on August 15, 2019
Before I knew the word “auteur” I think subconsciously I began to realize Orson Welles was gifted with this kind of innate artistic force that cemented all his pictures together. It’s part of what made him such a terror to work with and simultaneously a genius of such mammoth acco
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COMEDY GOLD #17: The horse from The Lady Eve (1941)
The Old Hollywood Garden
Posted by Carol Martinheira on July 20, 2019
COMEDY GOLD #17: The horse from The Lady Eve (1941) On July 20, 2019 By CarolIn Uncategorized Just when you thought Preston Sturges’ iconic screwball comedy The Lady Eve (1941) couldn’t get any better, in comes the horse that somehow managed to u
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'Photoplay,' September 1934: Lombard, the lady with something extra
Carole & Co.
Posted by carole_and_co on October 2, 2018
Carole Lombard was never perceived as a queen of millinery, unlike fellow actress (and later Hollywood columnist) Hedda Hopper. However, Carole's taste in hats, as well as other accessories, was noted in this page in the September 1934 issue of Photoplay, a page that now looks rather "alternative" i
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snapshot: The Lady who Dared (1931)
Noirish
Posted by John Grant on September 26, 2018
vt The Devil’s Playground US / 57 minutes / bw / First National, Vitaphone Dir: William Beaudine Scr: Forrest Halsey, Kathryn Scola Story: Kenneth J. Saunders Cine: Tony Gaudio Cast: Billie Dove, Sidney Blackmer, Conway Tearle, Judith Vosselli, Cosmo Kyrle Bellew, Ivan Simpson, Lloyd Ingraham, Mathi
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Review: The Lady Vanishes (1938)
4 Star Films
Posted by 4 Star Film Fan on April 16, 2018
Though he would make Jamaica Inn the following year, it’s undoubtedly The Lady Vanishes that situated Hitchcock for the move to Hollywood as his last great British film showcasing once more his immense aptitude as a storyteller no matter the resources on hand. At the beginning of the proceedi
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5 things I love about The Lady Eve (1941)
The Old Hollywood Garden
Posted by Carol Martinheira on December 5, 2017
5 things I love about The Lady Eve (1941) On December 5, 2017 By CarolIn Uncategorized I mean, what’s not to love, really? It’s just a delight of a movie. And like any screwball comedy, this is one of those movies that you can watch over and over. So I...
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A Dama, o Vagabundo e o espaguete / The Lady, the Tramp and the spaghetti
Critica Retro
Posted by Lê on November 4, 2017
A Dama, o Vagabundo e o espaguete / The Lady, the Tramp and the spaghetti Alguns momentos cinematográficos ficam para sempre nas nossas mentes. Gene Kelly cantando na chuva. Dorothy e seus amigos indo ver o maravilhoso mágico de Oz. Scarlett O’Hara prometendo nunca mais passar fome. O
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REEL INFATUATION BLOGATHON: The dashing Gilbert of The Lady Vanishes (1938)
Caftan Woman
Posted by on June 23, 2017
Who is the movie character that sets your heart aflutter? Font and Frock and Silver Scenes are hosting, for the second year, the Reel Infatuation Blogathon running from June 23 to June 25. Day 1 recap Day 2 recap Day 3 recap The delightful comic-thriller The Lady Vanishes was adapted...
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