Carole & Co. Posted by carole_and_co on October 14, 2020

Uncovering a heretofore unseen Carole Lombard p1202 photo from Paramount is always a thrill, and so it is here, p1202-510 from 1933. Carole's holding some film strips in her hand (stills she wants to further examine?). I have no idea which staff photographer snapped this.Nor do I know who took...   read more

Carole & Co. Posted by carole_and_co on March 18, 2020

We all know Carole Lombard loved animals, and the above image of her canine and feline menagerie is not uncommon. However, until today, I didn't know that pic was part of her Paramount p1202 collection.Past versions I've seen cropped the bottom, so we didn't see its p1202 number (p1202-1442) or...   read more

Carole & Co. Posted by carole_and_co on July 14, 2018

I'm always delighted to discover a new (to me) Carole Lombard image, particularly when it's from her Paramount p1202 collection (p1202 was her "player" code number at the studio). Above is p1202-977, said to be from lead studio photographer Eugene Robert Richee in 1935.That pic isn't available, but   read more

Shadows and Satin Posted by shadowsandsatin on November 3, 2017

There’s nothing like the look of film noir. Served up by such masterful cinematographers as John Alton, Nicholas Musuraca, and John F. Seitz, the imagery from the era immediately places you in a world of cynicism, dread, and hopelessness. Today’s Noirvember celebration takes a look at 10   read more

Classic Movies Posted by KC on February 20, 2016

Detour (1945) My Winnipeg (2007)   read more

4 Star Films Posted by 4 Star Film Fan on January 2, 2014

exhaustion and defenselessness of these travelers. If we take a look at the images (Frame grab 1), it becomes obvious that they are not conscious of their surroundings whatsoever. Most of the shots are close ups with very little movement aside from the rocking of the boat. The camera catches...   read more

4 Star Films Posted by 4 Star Film Fan on January 2, 2014

exhaustion and defenselessness of these travelers. If we take a look at the images (Frame grab 1), it becomes obvious that they are not conscious of their surroundings whatsoever. Most of the shots are close ups with very little movement aside from the rocking of the boat. The camera catches...   read more